Anna Marzuttini (Gemona del Friuli, Italy, 1990) lives and works between Venice and Udine. From 2011 to 2018, she studied at the Academy of Fine Arts in Venice, where she earned an MFA in Visual Arts and Performing Arts Disciplines in 2018. Between 2019 and 2020, she was an artist-in-residence at the Fondazione Bevilacqua La Masa Ateliers. In 2021, she presented her first solo exhibition, "Off the Gridcurated by Suburbia Contemporary Art Gallery in Florence, followed in 2024 by the solo showCan’t see the woodcurated by Stefano Monti at SMDOT Art Gallery in Udine. In 2025, she participated in DITTICO FVG, curated by Magalì Cappellaro and Alessandro Del Puppo. She has participated in several group exhibitions, including: Istituire un rifugio nella selva,curated by Giulia Mariachiara Galliano and Riccardo Vailati, Traffic Gallery, Bergamo, 2024; Luglio, agosto, settembre e ottobrecurated by Fondazione Malutta and NEUTRO, Reggio Emilia, 2024; Hôtel-Dieu, curated by School for curatorial studies Venice, Galleria A+A, 2023, Venice; Malutta in SpazioSpazio, curated by Fondazione Malutta and Gloria Pasotti, Spazio Contemporanea, Brescia, 2023 ; PETRICORE, curated by Giulia Mariachiara Galliano, Riccardo Vailati and Lorenzo Valota, Castello di Pagazzano (BG), 2023; Selva Trygica, Galleria d’Arte DB+K, Roma, 2022; Who killed bambi?, curated by Gianluca D’incà Levis,Dolomiti Contemporanee, Nuovo Spazio di Casso, 2022, Casso (PN); Nelle selve non più belve, curated by Daniele Capra, Tiziana and Isabella Pers, and Atelier F, Rave East Village Artist Residency, Manzano (UD), 2022; Urban environments and imaginary spacesspaces, Galleria d’Arte Contemporanea Suburbia, Barcellona, 2021; VACCANZAcurated by Gianluca D’Incà Levis, Dolomiti Contemporanee, Casso (PN),2022; Pesi Massimi, curated by Fondazione Malutta and Augusto Maurandi, Spazio Punch, Venice, 2020; Opera VivaOpera Viva, curated by Amerigo Nutolo, Fondazione Bevilacqua la Masa, Piazza San Marco, Venice, 2019; Guardatemi il più possibile,curated by Elisabetta Barisoni and Alessia Del Bianco, Museo Cà Pesaro, Venice, 2018. She is also a member of the Fondazione Malutta artist collective.

Her artistic practice explores the complexities of the organic world, focusing on life forms that operate beyond human and, more broadly, animal paradigms. These organisms become a gateway to new realms and ways of seeing and engaging with existence.